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Scanning prints and other darkroom questions

Nickdemarcofoto

New Member
2 questions really.

Today I spent a long and productive 8 hours in the darkroom
I realised why most people use resin coated paper - I was using both and fibre based - whilst nice - is a lot more high maintenance if you are making a lot of prints. In particular drying prints without having any curling is something I haven't quite mastered so far. How do you guys do it? I was using a special fibre based dryer, and had washed the prints for 45 mins before doing so, but I found that if I didn't leave the print in for quite long enough it wasn't dry, but if I left it in longer it might start to get a bit creasy.

Second question. As all you darkroom regulars must appreciate, making a very good darkroom print is something special in itself, and is a unique, individual work. Do you scan your favourite prints to then display on the web? I have previously scanned negatives and worked in PS, and continue to do so, but if you have a print you really like do you sometimes scan that instead, and if using something like the Epson 750 vuescan is it possible to make a good print scan with the resolution you can get from e neg scan on the same equipment?

Thanks for any tips in advance

Nick
 
I was able to pick up an Omega 24" [60 cm] wide drum dryer for not much money. I did have a problem with prints both RC and Fiber curling until I either lowered the temperature or turned up the rate at which the prints moved through. That cleared up all my print curl problems.

I have never used screens so I cannot comment on that.

Steve
 
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