Bryan,
I also shoot astrophotos with my Hasselblads. Some of my photos can be found at
http://homepage.mac.com/tarashnat/astrophoto/welcome.html .
I haven't tried any non-Zeiss glass yet, so I can only speak about what I've read about the Ukrainian lenses. And beyond the Kiev lenses in Hasselblad mounts, I have not seen any "production" lenses for the Hasselblad V-system from third parties. Most are conversions, or lens hacks. I recently saw a 250mm f/2.8 Leitz lens in a mount machined for the Hasselblad from Australia on an auction site. No shutter nor aperture control, it was just an f/2.8 lens.
As far as Zeiss glass goes, there are a lot of bargins available in the old "C" type lenses. I've got a stable of them over the last year or so. The old 40mm Distagons seem to be showing up quite frequently on the used market now. I've been using this lens for wide-field shots featuring this winter/spring's evening planetary show from NYC. When I haven't had mount flexure problems unrelated to the lens, I've gotten good results with a 350mm f/5.6 Tele-Tessar C T* lens. I recently got an 500mm f/8 Apotessar CF lens for what I consider a steal, and I can't wait for the weather to improve so I can try this lens out at my "dark" site. You can only get so dark within 100 miles of NYC.
My favorite lens is the 100mm f/3.5 Planar C T*. It doesn't suffer from the pronounced coma the 80mm f/2.8 Planar does wide open.
It is always a good idea to confirm focus, especially if you shoot at extremes of temperature. The shrinking/expansion of the lens may be enough to make the stop not the exact infinity focus. The Apotessar focuses beyond infinity to avoid this problem and it's slow focal ratio makes it more difficult to focus than the faster lenses.
Regarding a shutter for astrophotography, for any relatively long focal length, it is best to pre-fire the mirror. When using a shutterless lens, this means the auxiliary shutter is open, so it is a good idea to use the 'hat trick" to control your exposure, that is an opaque dark object in front of the lens like a shutter. Hats, dark t-shirts, cups, cardboard all make decent improvised shutters.
Taras