michaelhcothran
Member
Hey guys. I finally have an image I don't have to apologize for (too much), and wanted to share my first CFV picture with you.
After a week or so of messing with the back and Flexcolor, I feel much more comfortable. Flexcolor, for me, turns out to be fairly simple in operation. I adjust the white balance, exposure, set to RGB 16 bit, and save as a TIFF. From there it goes to CS3 for final prepping.
As others have also stated before me, I am amazed at the clarity of this back, and the quality prints I can produce (up to 24x24 with a 170 ppi file).
For the first image I am sharing, I exposed it for almost 32 seconds in total darkness, light-painting with a small flashlight, using the 100/3.5 CF lens on bulb @ f11. I found that using the enclosed cable to connect lens to back was by far the simplest way to go for long exposures. Even when I can get outdoors with the rig, I will use the cable when exposures are slower than 1/8 sec, rather than mess with changing it in the anals of the back's software.
Michael H. Cothran
After a week or so of messing with the back and Flexcolor, I feel much more comfortable. Flexcolor, for me, turns out to be fairly simple in operation. I adjust the white balance, exposure, set to RGB 16 bit, and save as a TIFF. From there it goes to CS3 for final prepping.
As others have also stated before me, I am amazed at the clarity of this back, and the quality prints I can produce (up to 24x24 with a 170 ppi file).
For the first image I am sharing, I exposed it for almost 32 seconds in total darkness, light-painting with a small flashlight, using the 100/3.5 CF lens on bulb @ f11. I found that using the enclosed cable to connect lens to back was by far the simplest way to go for long exposures. Even when I can get outdoors with the rig, I will use the cable when exposures are slower than 1/8 sec, rather than mess with changing it in the anals of the back's software.
Michael H. Cothran