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A 24 back uses 220 film, not 120. 220 film does not have many choices and they have been discontinued at a steady rate. Furthermore, if you use 120 in a A-24 back, you will only get 11 shots, not 12. That is why A-24 backs are so cheap.
The A16 back and 645 format are not very popular with Hasselblad V owners. Having to turn the camera to do verticals is very uncomfortable with waist level and 45 degree viewfinders.
220 film may be hard tofind in shops. Anyway most of my favourite films exit in 220 (Velvia Tri-x but not the TMY 400)
It happen that I use 120 film in a A-24. Spaces between images may be bigger, anyway I get 12 or ..12,5 pictures on a film.
i'm using 220 and 120 film in the A24, and haven't lost a frame yet.
just stop loading the film a little less then 1/4 turn before the mark and you should be fine.
but do remember there's only 120 and NOT 220 film in the back!
i took up MF because of square framing and don't see why i should get 645 format.
if needed, you can always reframe for 645-prints.
The A16 back and 645 format are not very popular with Hasselblad V owners. Having to turn the camera to do verticals is very uncomfortable with waist level and 45 degree viewfinders.
The A16 back and 645 format are not very popular with Hasselblad V owners. Having to turn the camera to do verticals is very uncomfortable with waist level and 45 degree viewfinders.
The problem can be overcome by using a 90° prism of course.
Hasselblad noticed this and made the A12V back for that purpose.
It allows 4,5 x 6 exposures in portrait or vertical mode.
What is the advantage since you still only get 12 exposures?
The advantage lies in almost exact 5" x 7" prints that a lab automatically makes from 4,5 x 6 frames.
Not important anymore for users who are scanning film and print digital of course.
For me it was an exceptional advantage in the days of film shooting and conventional printing.
I have two of these rare A12V film backs.
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